Emmanuel Raheb recommends digging into demographic data, customizing your store’s communications, and retargeting ahead of May 12.
The History Behind … Art Deco
The latest in National Jeweler’s The History Behind series explores one of the most popular and influential periods in jewelry design, the Art Deco era.
New York--It’s a period that’s so popular, and has enjoyed so many revivals, that the term Art Deco is used loosely to refer to jewelry, architecture and furniture from many different decades.
To truly be Art Deco though, a piece must have been manufactured in the period between the two World Wars. Otherwise, it is just Art Deco style.
For this installment of The History Behind, National Jeweler turned to two antique experts--Janet Levy, of antique jewelry company The DeYoung Collection, and Patricia Faber of the Aaron Faber Gallery--to learn more about the origins of the era’s clean aesthetic.
When did Art Deco jewelry first appear on the market? Both Levy and Faber agree that there are no firm dates for any period of jewelry design; one movement simply blends into the one that follows.
“There’s not this kind of wall that divides anything,” Levy said. “It’s very fluid.”
While a touring exhibition put together by the Victoria & Albert Museum in London defines the period as 1910 to 1939, Levy said in her mind, the earliest Art Deco pieces date from about 1918 or 1919, with interest in the movement waning in the 1940s.
Why it is called Art Deco and what influenced the design of the period? Art Deco took its name from the Exposition Internationale des Arts Décoratifs et Industriels Modernes (the International Exposition of Modern Decorative and Industrial Arts). It took place in Paris in 1925 and is said to have done more to advance the worldwide popularity of Art Deco design than any other exposition of its time.
Like most movements in design, Art Deco was a rejection of the soft, curvy forms of the period that preceded it, Art Nouveau.
It was after World War I, and “People needed an escapist, happy expression coming out of that horrible war,” Levy said.
Women enjoyed a period of liberation in terms of their hairstyles, lifestyles and clothing--think how little the flapper girls of the era wore--and wanted new, fresh-looking jewelry to go with it.
They could have it, thanks to the growing use of machines, which could produce jewelry with clean lines, and produce it in greater amounts than was possible in the past.
Art Deco also was
How would you describe the aesthetics of Art Deco jewelry? Art Deco is, as Faber so perfectly described it, graphic, linear and geometric. To see these traits on a large scale, one merely has to look at some of New York City’s most iconic buildings, the Chrysler and Rockefeller Center.
Levy noted that there are two forces at play in any Art Deco piece. There’s the very strong, geometric structure and then the expression taking place within that structure.
Think: the floral or pyramid-like patterns visible in the beautiful, clean diamond and colored gemstone-set bracelets, brooches and earrings from houses such as Boucheron, Van Cleef & Arpels and Cartier and, in the United States, Raymond Yard.
Art Deco also was the era that Cartier’s artisans came up with the Tutti Frutti design, which featured diamond and carved, colored gemstones, influenced by the Mughal period in India.
What materials were popular? Platinum was the most widely used metal of the era.
Gemstone-wise, it was diamonds and colored stones, particularly the big three: sapphires, emeralds and rubies. Levy said there also were a lot of fancy cuts used during the period, including fancy cuts in color.
Is Art Deco the most influential period in jewelry design? Both Levy and Faber said yes.
“Etruscan and Scythian jewelry shows up most often throughout (history) but I think Art Deco in the modern era is strongest, and I think it’s the most popular,” Faber said.
It’s enjoyed a number of revivals throughout history, including in the late 1980s and early ‘90s, and influences the geometric designs that are en vogue today.
The clean lines continue to appeal.
“You never get tired of it,” Faber said. “I never get tired of looking at the Chrysler Building and jewelry has a lot of the same visual appeal. There’s always something new to see in the design.”
How can retailers add authentic Art Deco pieces to their estate jewelry inventory? Levy said jewelers need to be pro-active in order to snag pieces from this still-popular era.
She recommended attending estate jewelry shows--one example is Lueur, which is coming up at end of October in New York--as well as visiting reputable dealers to look at jewelry, analyze its quality and compare prices.
Price points for Art Deco jewelry start as low as $2,000 for a simple bar pin and can climb to $10,000 to $20,000 for bracelets that aren’t signed, which Levy considers a good deal. More elaborate signed pieces, meanwhile, can sell for upwards of $1 million at auction.
Faber also recommended the auction houses as good sources for retailers, as they edit their offerings carefully. “You’d be less likely to find authentic Art Deco privately,” she said.
The Latest
Located in the town of Queensbury, it features a dedicated bridal section and a Gabriel & Co. store-in-store.
The mining company’s Diavik Diamond Mine lost four employees in a plane crash in January.
With Ho Brothers, you can unlock your brand's true potential and offer customers the personalized jewelry experiences they desire.
A 203-carat diamond from the alluvial mine in Angola achieved the highest price.
Ruser was known for his figural jewelry with freshwater pearls and for his celebrity clientele.
The “Rebel Heart” campaign embodies rebellion, romance, and sensuality, the brand said.
For over 30 years, JA has advocated for the industry, fought against harmful legislation and backed measures that help jewelry businesses.
Editor-in-Chief Michelle Graff shares the standout moments from the education sessions she attended in Austin last week.
The overhaul includes a new logo and enhanced digital marketplace.
The money will go toward supporting ongoing research and aftercare programs for childhood cancer survivors.
A new addition to the “Heirloom” collection, this one-of-a-kind piece features 32 custom-cut gemstones.
Last month in Dallas, David Walton pushed another jeweler, David Ettinger, who later died.
The move will allow the manufacturing company to offer a more “diverse and comprehensive” range of products.
From now through mid-May, GIA will be offering the reports at a 50 percent discount.
De Beers’ rough diamond sales were down 18 percent year-over-year in its latest round of sales.
Sponsored by the Las Vegas Antique Jewelry & Watch Show
The Patek Philippe expert will serve as personal curator for the brand-focused company.
The 553-square-foot shop is aboard the Carnival Jubilee cruise ship.
NDC filed a complaint against Skydiamond for use of phrases like “diamonds made entirely from the sky.”
John Carter received the AGS’s highest honor Tuesday afternoon at Conclave in Austin, Texas.
LVMH said the company performed well despite an uncertain geopolitical and economic environment.
B&D Sales and Service held a ribbon-cutting event for its new location in Cranston, Rhode Island.
It’s ultra-feminine and filled with gold, pearls, and soft pastels.
Emily Highet Morgan and Emily Bennett have joined the agency’s team.
Its updated book for mountings is also now available.
She has been with the organization since 2010, most recently serving as its chief officer of PR and industry relations.