She was remembered as a creative and generous woman of faith, who also had a sweet tooth.
The History Behind … The Choker
Long before they encircled the necks of goth girls in the 1990s or were popularized by a princess in the late 1800s, chokers were donned by women in ancient civilizations to protect their throats.

Long before they encircled the necks of goth girls in the 1990s or were made popular by the Princess of Wales in the late 1800s, chokers were donned by women in ancient civilizations, worn to protect what even back then they understood to be a very important part of the body, the neck.
They are a style that cuts across many cultures--African, Indian and Western among them--and class lines.
With chokers on the rise once again, Yvonne Markowitz, the Rita J. Kaplan and Susan B. Kaplan Curator Emerita of Jewelry Museum of Fine Arts (MFA), Boston, recently took the time to talk with National Jeweler about the history behind this tight-to-the-neck piece in the fine jewelry world.
Who were the first people to wear chokers? The history of the choker dates back thousands of years, to the world’s earliest civilizations, the Sumer empire in Mesopotamia and Ancient Egypt.
Markowitz said women in both these ancient worlds wore chokers, often pairing them with other necklaces, for the same reason they wore all jewelry--to protect them and give them power.
“A lot of ancient jewelry,” she observed, “is protective and amuletic.”
They put jewelry on parts of the body they felt needed protection--the throat, head, arms and ankles--and believed it infused them with special powers. This was especially true of gold jewelry, which ancient peoples associated with the sun, and lapis, which people in Egypt connected with the life-giving powers of the Nile River.
Markowitz said that women in Egypt also donned chokers comprised of four to six stands of beads held together by a vertical, zig-zagged shaped spacers. This Ancient Egyptian choker in the MFA’s collection is made of gold, with black and green beads and the wavy spacers.
When, after that, were choker necklaces really “in” again? In Western culture, high jewelry chokers are visible here and again throughout history, including during the Renaissance, with portraits from that time showing necklaces being worn high on the throat.
“It was a style that had fleeting moments,” Markowitz said, “and I guess the next big moment was at the end of the 19th century.”
As happens so often in fashion and jewelry, the affinity of a very public figure aided the choker’s reemergence.
Alexandra of Denmark (1844-1925) was on the British throne as the wife of King Edward VII from 1901 to 1910 and, before that, spent some 38 years as the Princess of Wales.
During her reigns, she became an influential figure in fashion and popularized one of her favorite pieces of jewelry, the choker necklace.
The tale that’s been told through the years is that Alexandra wore chokers to hide a childhood scar on her neck, although Markowitz noted that the story of the Queen consort’s scar has never been confirmed.
If it is true, though, Alexandra would not have been the only woman of her time to use her jewelry to hide an imperfection.
Included in the collection of the Victoria & Albert museum in London is a Kropfkette (goiter chain) made in Austria sometime between 1840 and 1870.
Kropfkettes were chokers consisting of multiple rows of chains with a large clasp at the front. Women in south Germany and Austria wore them to hide the lumps on their necks caused by goiter, a disease caused by iodine deficiency common among those who lived high in the Alps.
These chokers were not quite as fantastic as those donned by Alexandra, though; they were silver and often set with garnets.
Markowitz said chokers continued to be popular through the Art Nouveau period--René Lalique made some of the most beautiful ones ever designed, she said--and into the 1920s, becoming known as “dog collars” along the way. (She said it was Sir Charles Leonard Woolley who gave them this name following his excavations of the Royal Cemetery at Ur in what was once Mesopotamia.)
In America, the Astors wore long pearl necklaces with several strands of the pearls wrapped around their neck, while others donned just a simple black ribbon.
Then, as the Art Deco era faded in the 1930s, “(Chokers) went out, in a major way,” she said.
While there have been occasional resurgences in popular culture--the beaded chokers of the hippie era and the plastic tattoo chokers of the 1990s are two examples that come to mind--chokers crafted of fine materials never regained the same popularity they once had.
“It’s not the most comfortable piece of jewelry to wear, and it also has to be well fitted unless it’s something with a string or fabric where you can adjust it to your neck,” Markowitz observed.
Today, chokers are making their rounds again along with their seemingly more comfortable and easier- to-fit cousin, the collar, with both fine and fashion pieces finding their way into stores.
RELATED CONTENT: Amanda’s Style File: Collar Craze
In March, Vogue magazine published an article online telling readers how to “rock” a choker like the singer Rihanna and included a gallery of 10 modern-day examples, ranging in price from $9 to $1,375.
How can a jeweler add chokers to their inventory? Markowitz said jewelers looking to carry antique or estate chokers should go through a reputable estate jewelry dealer.
Before doing so, however, they should make sure there is demand among their customers for this very specific style of necklace, whether it’s vintage or modern.
“No retailer wants inventory that they can’t move. If they find that something is hot, then I’ll think they’ll want to stock it,” she said.
The Latest

The “Volume 7” bridal catalog features best-selling engagement rings, trending styles, and a new section highlighting anniversary bands.

The New York-based brand is set to launch a limited-time offering for the holiday season at Holt Renfrew in Toronto.

Holiday sales growth is expected to slow as consumers grapple with inflation and tariff-related uncertainty.


Jamie Turner Designs is among the winners of the local “Austin Shines” contest, hosted by Eliza Page, a jewelry store in Austin, Texas.

A trade deal with Switzerland seems probable, but reaching an agreement with India remains a challenge, David Bonaparte said.

With their unmatched services and low fees, reDollar.com is challenging some big names in the online consignment world.

Botswana’s president said his country wants a controlling share, while Angola envisions multiple countries holding minority stakes.

The manufacturer is adding 1,400 chemical vapor deposition (CVD) reactors to its growing facility in India.

The jeweler to the stars has worked with Drake, A$AP Rocky, Tyler the Creator, and other celebrities.

The Scarsdale, New York-based jeweler donated a professional-grade watch cleaning machine.

The 50 percent tariffs on diamonds shipped from India to the U.S. have pushed midstream manufacturers to the edge.

De Beers’ refreshed, multipronged approach, which includes generic promotions and retail partnerships, is delivering positive dividends.
They are trying to balance the need to sustain well-established relationships with the pressure higher tariffs have put on margins.

Jewelry manufacturer Jewelex has partnered with JOSH, an industry training center, on a program for people with disabilities.

The collection includes pieces dating back to the Victorian and Art Deco periods as well as mid-century and late 20th-century designs.

He previously served as co-chair of the nonprofit’s beneficiary committee.

Its second collaboration with the conservationist features jewelry with dove and olive branch motifs.

The diamond manufacturer’s new company will provide accessible and affordable high-quality medicines across India.

Emmanuel Raheb shares tips on how a jeweler’s showcases, marketing, and social media presence can whisper, instead of shout.

The private equity firm has a plan to revive the mall staple.

The “Super Book of Gems” dives into the Mohs Hardness Scale, the Four C’s, and designs from jewelers like Cartier and Bulgari.

Claudio Pasta will take the lead at the Italian fine jewelry brand, succeeding company founder Licia Mattioli.

The new lab-grown diamond jewelry offering is the latest expansion of the designer’s “Bliss” collection.

The miner is honoring the end of an era with an offering of 52 lots from the now-closed Argyle and the soon-to-close Diavik mines.

The California-based fine jewelry brand will retain its identity post-acquisition, with new collections launching next year.